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Below you will find a list of shows that are represented in this portfolio. Most images are production pictures, but some include concept art, plans, renderings etc. Plans are stored as a .PDF (Adobe Acrobat™) file. They are reduced versions of the full-size drawing.
Naomi Iizuka's play of 36 scenes examines an Asian Art dealer of questionable morals and two assistants who attempt to con him. Charles Erven directed this production for Fresno City College. (Full Details)
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Janine Christl brought to life this moving play based on interviews and court transcripts of people wrongly sentenced to death row. (Full Details)
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Grasmere examines the life of William Wordsworth, his sister Dorothy, and Samuel Taylor Coleridge as they struggle with life, love, and poetry. (Full Details)
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Debra Shapazian brought Georges Feydeau's play to raucous life in this very pink production at Fresno City College. (Full Details)
Oscar Wilde's classic play was envisioned with open iron work to create a light and airy feel in this Fresno City College production directed by Janine Christl. (Full Details)
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The set for Living Out had to serve (sometimes simultaneously) as five different homes in Los Angeles. A basic set with windows that served as projection screens showed the copy-cat interiors of Los Angeles life with the many views of the outside. (Full Details)
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Brad Myers's production of Craig Lucas' Reckless was inspired by the action of a perfect life being torn apart and left as merely a shell of its former glory. (Full Details)
Robert Schenkkan set his play in the rural South in a church that still practices snake handling. After being bitten, one adherent goes on a strange series of adventures questioning the nature of love, life, and religion. (Full Details)
Beth Henley's classic American play, as directed by Dr. Michael Swanson, demanded something unusual for me as a designer: realism in a small, 80-seat, black box theatre. (Full Details)
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Lorraine Hansberry's epic play creates a shattered reflection of the middle class American dream which appears differently to each character who tries to see it. (Full Details)
Nilo Cruz's play was my first production at Fresno City College. As the lector reads Tolstoy to the workers, their minds break free of the factory and roam the world. (Full Details)
This musical update of Aristphanes classic comdey played as part of the Adler After Dark series at the Sella Addler Theatre in Hollywood, C.A. (Full Details)
This setch comedy show was performed at the Lillian Theatre complex in Hollywood CA. (Full Details)
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The eleven scenes of Juan Devis' Tropical America were set against a contorted black-and-white version of artist Alfaro Siqueiros' mural of the same name in Olvera Street, Los Angeles. (Full Details)
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The concept of this special event was a peaceful garden, leading into a new world. (Full Details)
The world premiere of Paula Cizmar's new play alowed me to use the upstage moon (visible in the production stills) as a digital projection screen to suggest the location and mood of each scene. (Full Details)
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Director Kelly Ward wanted to demonstrate the power and respectability of the World Wide Wicket company. The play requires fast, smooth scene changes. (Full Details)
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Director Robert Robinson originally requested a Hogarth-inspired set for Mary Pix's classic comedy. Taking him literally, I created a composite of several of Hogarth's etchings. (Full Details)
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Working with production designer Garvin Eddy, I created a set of cartoon simplicity. (Full Details)
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This event at the Century City Plaza Hotel raised money for the Motion Picture and Television Hospital Fund. (Full Details)
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Director Alicia Grosso envisioned this play, which was staged in a Culver City, California park, as happening within an "Indigo Jones Blue Print."
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Director Bill Rauch updated this classic play to 1970's New Orleans. (Full Details)
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