Christopher R Boltz: Lighting Design

Home

Sets

Lights

Projections

Other Works

About

Below you will find a list of shows that are represented in this portfolio. Most images are production pictures, but some include concept art, plans, renderings etc. Plans are stored as a .PDF (Adobe Acrobat™) file. They are reduced versions of the full-size drawing.

• Alice Dancing Through the Looking Glass

  This dance concert was based on the classic story, Alice in Wonderland. (Full Details)

  • Image One (production still)
  • Image Two (production still)
  • Image Three (production still)
  • Image Four (production still)
  • Image Five (production still)
  • Image Six (production still)
  • Image Seven (production still)
  • Image Eight (production still)
  • Image Nine (production still)

• Beyondo

  This setch comedy show was performed at the Lillian Theatre complex in Hollywood CA. (Full Details)

  • Image One (production still)
  • Image Two (production still)
  • Image Three (production still)
  • Image Four (production still)
  • Image Five (production still)
  • Image Five (production still)

• MIrror Mirror

  Playwrites Richard Alger, Tina Kronis, and Debbie Devine created a new version of Snow White. (Full Details)

  • Image One (production still)
  • Image Two (production still)
  • Image Three (production still)
  • Image Four (production still)
  • Image Five (production still)
  • Image Six (production still)
  • Image Seven (production still)

• Choreography on Canvas

  With each dance inspired by art, the designers and the choreographers faced a unique series of challenges. (Full Details)

  • Blah Blah Blah, 1 (production still)
  • Blah Blah Blah, 2 (production still)
  • Marilyn Medley, 1 (production still)
  • Marilyn Medley, 2 (production still)
  • Glory Bound (production still)
  • Portriates of the Reveal (production still)
  • Superhero (production still)
  • Witness (production still)
  • Hot Honey Rag (production still)
  • Nasty Girls (production still)
  • Transition (production still)

• U.S.C. School of Theatre Graduation 2003

  Set Designer Jason Cohen mixed oversized temple bells and window shades in a mid-air installation. I took this stark sculpture as a multilayer form to light. (Full Details)

  • Image One (production still)
  • Image Two (production still)
  • Image Three (production still)

• U.S.C. School of Theatre Graduation 2002

  The concept of this special event was a peacful garden, leading into a new world. (Full Details)

  • Image One (production still)
  • Image Two (production still)

• The Rocky Horror Show

  This show involved alumni of the U.S.C. School of Theatre. (Full Details)

  • Image One (production still)
  • Image Two (production still)
  • Image Three (production still)
  • Image Four (production still)

• Olympus On My Mind

  Olympus On My Mind concerns a modern play of a Greek myth where everything goes wrong. (Full Details)

  • Image One (production still)

• The Illusion

  Sabin Epstein's concept of Tony Kushner's play was that the illumination of the cave would illustrate the internal life of each moment in the story. (Full Details)

  • Image One (production still)
  • Image Two (production still)
  • Image Three (production still)
  • Image Four (production still)
  • Image Five (production still)
  • Image Six (lighting plot, .PDF)

• Divinely Inspired

  This dance concert, based on a religious theme, had pieces ranging from an exploration of man's innermost fears to the search for inner joy. (Full Details)

  • Image One (production still)
  • Image Two (production still)
  • Image Three (production still)
  • Image Four (production still)
  • Image Five (lighting plot, .PDF)
  • Image Six (lighting plot, .PDF)
  • Image Seven (lighting plot, .PDF)

• Bodies in Motion

  Varying from inner-city tap to modern to jazz to classical ballet, this concert required the lighting to change mood and focus for each of the dances. (Full Details)

  • Image One (production still)
  • Image Two (production still)

• Art in Motion

  Creating the lighting for a stop-motion animation T.V. commercial provided the interesting challenge of not knowing exactly what the finished product would look like until the film was developed. (Full Details)

  • Image One (production stills)

• The Boy Friend

  Director John Blankenchip assigned me the task of recreating the lighting style of 1920's musical theatre with contemporary instruments. (Full Details)

  • Image One (production still)
  • Image One (production still)

• Encore '97

  This musical revue was one of four shows which played in rotating rep on the Showboat Becky Thatcher in Ohio. (Full Details)

  • Image One (production still)